This one was pretty simple in concept and execution -except for Steve's hand never clearing frame! -We need clear frames in order to present the illusion of seamlessness. To make up for it, we used a lot of cross-dissolves.
Typically, I don't like to cut with dissolves but for these pieces it's a necessity.
The conceit behind the single camera, single point of view shoot is that you're in real time conversation with the subject. Since we're constantly speeding up and slowing down actions through time remaps and animation it's necessary to preserve a visual seamlessness. That's the number one editorial priority.
In any event, this was a pretty simple concept. Steve and Gail got an approval on the concept Monday after a couple days of quick research. We shot it on Tuesday. Loaded in the footage from the P2 cards and had an audio cut by early evening. Wednesday we fixed up the picture and we delivered Thursday at noon.
The broadcast version, again, is much superior because of the soundtrack. PBS has carte blanche to use any music royalty free for broadcast and we take advantage of that. That right doesn't extend to the web so we deliver a music free version. Another day and another few grand in the budget we could do a royalty free stock online delivery -but that's the news business. No time, no money.
Sounds like all production these days.
In any event, click through to the PBS site: HERE and leave them a comment.