Numbers 1 through 4 live together in my living room. I'm saving up to get #2 and #3 framed. These are about 4.5 feet by 2.5 feet so framing runs over $500 a piece. Numbers 3 and 4 have trompe l'oeil frames -an innovation of the artist to save his friends the expense of an actual frame.
There's power in framing a painting. These in particular with their mysticism, their otherworldliness, benefit from multiple layers to distance them back into their spirit realm.
These are portraits of spirits who visited the painter. He was prone to unearthly encounters, including a conversation with Emanuel Swedenborg in a phone booth outside Grand Central Station.
I imagine this talk influenced the work that followed these paintings (and is evidenced in #4), which strive to combine the physical with the spiritual.
This is the first one. From 1980.
This is #2, he followed shortly after. The palate is narrowed to olive grey shades.
From a distance he looks a little frightening, approach and you can see an inviting look.
#3 from 1982. Backgrounds are introduced. The spirits are still emerging through a mist, but now we see deeper.
#4 has a tear which needs repair. I wonder if he came over after his wife (#3). Both of these add to the monochrome of #1 and #2 implying the visions coming clearer.
I took snapshots of a few others several years ago and posted them earlier.