Shoot 2

The number one difference between live action and animation: call time.

We were on the road at 6:45 am heading to Philadelphia for the second part of our shoot on Thomas Eakins' "John Biglin in a Single Scull".

 

cameraman Ben Shapiro unpacking

We spoke with an Olympic oarsman and coxswain at the Penn AC boathouse.

  

At shot a little bit of the river.  This week we'll be editing, aiming to finish by Wednesday.

 

 

Next, we'll probably make a transcript of the interviews, and build a story from there.  We have some specific ideas, but in documentary its important to let the subject guide you.