Is that Morgan Freeman on Electric Factory? I loved that show, and MF was great, too bad all his roles now have such gravitas. I am intrigued by "the pitch". What exactly do you guys do for a pitch? Love to hear more..
That is indeed Morgan Freeman "grooving on all the words around".
I don't think I still have the materials we made for the Noggin pitch.
I do remember working up some rudimentary storyboards and designs. Their logo prospectus was to retain the bottom of the face and anything can fill the top. So that generated a lot of ideas.
I went to 1515 Broadway with Jesse Gordon, a terrific live action director who had come up with some cool ideas we would produce and Hiroko Nagao who was a staff artist that I wanted to get more experience with client-types.
We went through all our ideas with Essie, the head of the network. Some were boards, some were written treatments -nothing too elaborate.
A few days later they came back saying this was the one they wanted.
They picked this, I think, because they could see it fit easily within their price point, it integrated footage of their shows in a cohesive way, and it involved a (then) fresh look and technique.
We'll see if we can throw together a post or two on pitching these sorts of projects.
2 comments:
Is that Morgan Freeman on Electric Factory? I loved that show, and MF was great, too bad all his roles now have such gravitas. I am intrigued by "the pitch". What exactly do you guys do for a pitch? Love to hear more..
That is indeed Morgan Freeman "grooving on all the words around".
I don't think I still have the materials we made for the Noggin pitch.
I do remember working up some rudimentary storyboards and designs. Their logo prospectus was to retain the bottom of the face and anything can fill the top. So that generated a lot of ideas.
I went to 1515 Broadway with Jesse Gordon, a terrific live action director who had come up with some cool ideas we would produce and Hiroko Nagao who was a staff artist that I wanted to get more experience with client-types.
We went through all our ideas with Essie, the head of the network. Some were boards, some were written treatments -nothing too elaborate.
A few days later they came back saying this was the one they wanted.
They picked this, I think, because they could see it fit easily within their price point, it integrated footage of their shows in a cohesive way, and it involved a (then) fresh look and technique.
We'll see if we can throw together a post or two on pitching these sorts of projects.
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